Best All Time Low Songs Ranked

Dear Maria, Count Me In is the definitive All Time Low song. It has the energy, hooks and scene-era personality that made the band a major name in pop punk, and it still feels like the song casual fans expect to hear first.

The chorus is huge, the pacing is sharp, and the track has become a lasting anthem for both the band and the wider late 2000s pop punk scene.

Weightless is one of All Time Low’s best examples of turning frustration into a bright, explosive pop punk song. It captures the feeling of wanting a fresh start without sounding heavy or miserable.

The hook is immediate, the message is simple, and the song has remained one of the band’s most loved live tracks.

Monsters proved All Time Low could still create a major hit years after their original pop punk breakthrough. It is darker, slicker and more modern than their classic material, but the chorus still feels unmistakably built for a big crowd.

The song gave the band a new wave of attention and showed how their sound could evolve without losing the melodic instincts that made them popular in the first place.

Damned If I Do Ya is All Time Low at their most effortlessly catchy. It leans further into pop production than some earlier songs, but it still keeps the charm and energy of their pop punk identity.

It is one of the clearest examples of the band’s ability to write a hook that feels playful, polished and instantly memorable.

Lost in Stereo is a bright, energetic track that feels built for a live set. It has a punchy rhythm, a strong chorus and the upbeat personality that made the band such a reliable pop punk act.

It may not be as universally known as Dear Maria, but it remains one of the strongest fan favourites from the Nothing Personal era.

Somewhere in Neverland is one of the best songs from the Don't Panic era, combining pop punk momentum with a nostalgic, escapist story. It feels fun, melodic and emotionally connected to the band’s audience.

The track is a strong reminder that All Time Low’s best work is not only about big choruses, but also about creating a world fans want to jump into.

Some Kind of Disaster is one of All Time Low’s best modern songs because it feels reflective without losing the band’s melodic punch. The lyrics are more self-aware, while the chorus still lands with big pop rock confidence.

It works especially well as a bridge between classic fans and newer listeners who discovered the band later.

Jasey Rae is an early All Time Low favourite that still matters because of its emotional pull. It captures the younger, more raw version of the band before the bigger production and arena-ready hooks arrived.

For longtime fans, it is one of those songs that feels tied to the band’s roots and the era that first built their following.

Kids in the Dark shows All Time Low moving into a bigger, more polished pop rock sound. The chorus is huge, the production is clean, and the song feels designed for larger venues.

It is one of the best examples of the band expanding beyond straightforward pop punk while still writing for their core audience.

Sleepwalking represents All Time Low’s newer direction: slick, melodic and more alternative pop rock than classic scene pop punk. It has a smooth chorus and a moodier atmosphere than their early material.

It earns a place here because it shows the band continuing to evolve while keeping their focus on memorable hooks.